Seven Mistakes in Durga Saptashati Path That Bring Devi Dosha — Half Path, Wrong Uchcharan, Rushing, Swaying, Talking, No Diksha, Wrong Havan
Seven common errors in Durga Saptashati path that the speaker says become a Devi aparadh, with the remedy for each and the safe alternatives for someone without diksha.
16 notes, in the order they are taught. Jump to any one.
4 also answer a common question
Questions this answers
4 of the notes below are questions in their own right. Scroll for more.
Can the Durga Saptashati be read one chapter a day in Navratri?
The first mistake: a half, incomplete path
The speaker says never. New reciters see that the Durga Saptashati has thirteen chapters, note that Navratri gives only eight or nine days, and read chapter one on day one, chapter two on day two, stopping at chapter eight or nine. He calls this an aparadh that must never be done, one from which a Devi Dosha forms. The Saptashati, he says, is recited only with its six angas.
The speaker opens by saying he will discuss the mistakes people commonly make while reciting the Shri Durga Saptashati — mistakes from which a Devi Dosha forms. Some of these, he says, are very ordinary and become an aparadh even unknowingly. The first, he says, is the half-and-incomplete path done without knowledge. Setting aside the separate question of whether one can pronounce Sanskrit, it often happens that new people who do not have full knowledge of the Saptashati see that it has thirteen chapters and ask which ones to read and how. They say that Navratri gives only eight or nine days, so on the first day they read the first chapter, on the second day the second, and so on — and they read only up to the eighth or ninth chapter. This, he says, must never be done. Although many videos today clarify these matters, he still sees people committing this aparadh. One must never recite only nine chapters in this way; that is not how it works. The Saptashati is never to be recited like this — it is recited with its six angas, which he explains later in the same talk.
Impure Sanskrit uchcharan in the Saptashati path
The second mistake: learn from a reciter first; the Kavach bhayartah example
The speaker says someone who has never pronounced Sanskrit and is going straight to a Sanskrit path must first learn how it is recited — from a scholar or a knowledgeable person who does Saptashati or Chandi path, a sadhak, a brahmin, or a mother with Shakta diksha — sitting in their presence, learning the uchcharan purely and practising before them. Impure uchcharan causes trouble; saints relate cases where wrong pronunciation changed the fruit of the path. As one small example he gives the sixth shloka of the Durga Kavach, where भयार्ताः is read in a hurry as भरताः or भर्यताः, both wrong; many such mistakes happen in haste and the meaning turns into its opposite.
The second matter, the speaker says, is this: if you do not know Sanskrit uchcharan, have never in your life pronounced Sanskrit, and are going straight to recite Bhagavati's path in Sanskrit, then you should first know how this path is recited. He says you should learn it from a scholar, from some knowledgeable person who recites the Saptashati or does Chandi Path — a sadhak, a brahmin, or a mother who has received ShaktaBelonging to the stream that takes the Goddess as the supreme principle. Diksha and does the path. Sit in their presence and learn it properly according to the vidhi. Learn the uchcharan with purity and practise before them — that, he says, is best. Impure uchcharan causes trouble: there are many well-known cases related by saints and mahatmas in which the fruit of the path changed because of pronouncing it wrongly in such-and-such a way. This has been explained many times before, so the uchcharan must be pure. As an example, he asks listeners to look at how, while reciting the Shri Durga Kavach, many people make several mistakes in a hurry, and one of them appears in the sixth shloka. He recites the line as "विषमे दुर्गमे चयो भयार्ताः शरणं गताः" and spells the word out: bha-ya-ar-tah, भयार्ताः. Many people read it as भरताः; others read भर्यताः. Both, he says, are wrong. This is a very small example, he says; many such mistakes happen in haste. So do the uchcharan with purity — otherwise the meaning turns into its opposite (arth ka anarth).
Every Saptashati shloka is a mantra: bhava does not excuse wrong Sanskrit
Read Hindi with bhava rather than distort a deity's form
The speaker says do not keep repeating that Ma is pleased by bhava alone. The Sanskrit mantras are the Devi's direct form; every shloka of the Saptashati is an independent mantra with its own devata, its own keelak and its own shakti, so each is itself a deity's form. Read it wrongly and that form is distorted — like a single stone somewhere in your body causing pain. Nobody has the right to distort a deity's form; better to learn it, and if Sanskrit does not come, recite in Hindi with bhava, but do not recite wrongly.
The speaker says: in this matter, do not keep saying again and again that Ma is pleased by the primacy of bhava. The Sanskrit mantras, he says, are the Devi's own direct form. The shlokas are mantra-forms — every shloka of the Saptashati is one mantra each, and that mantra is Bhagavati's direct form. He says it has been clarified many times that every shloka is an independent mantra with its own separate devata, its own separate keelak, its own separate shakti — so that mantra is in itself the form of a deity. When you read it wrongly, the form gets distorted. If a stone forms in one place anywhere in your body, he says, your body feels pain and trouble; likewise, you and I have no right to distort the form of a deity. Better than that, he says, is to learn it and then recite. And if Sanskrit does not come to you, then recite in Hindi with the primacy of bhava — but do not recite wrongly.
Rushing through the Saptashati versus chanting it in chhanda
The third mistake: speed is the fault, not metre
The speaker says there is a popular saying that the Saptashati should not be sung, but it should be understood correctly: it is chanted in chhanda, and reciting in chhanda is the prescribed vidhan, so that one may do. What people actually do wrong is read very fast — he mimics rushing through the Kavach opening — whereas it should be read calmly, in the manner laid down. If reciting in Sanskrit, know how the Anushtup chhanda in which it is set is voiced; if you do not know, learn it.
The third subject, the speaker says, is this: when reciting the Saptashati there is a well-known saying that it should not be sung — but one must understand how it should not be sung. It is chanted in chhanda; reciting in ChhandasMeter — the structured, rhythmic pattern (such as Anushtubh's eight-syllable units) governing how a stuti or scripture must be chanted, specified in its Viniyoga. is the prescribed vidhan. That you may do. What people commonly do instead, he says, is read at full speed. He imitates someone racing through the opening of the Kavach — "अस्तु यंत्रम विप्र सर्वभूत कारकम" — and says it is not to be read hurriedly like that. "देवस्तु कवचम पुण्यम" — read it completely at ease, in the manner in which it is meant to be read. If you are reciting in Sanskrit, he says, know how we are to read it in the Anushtup chhanda, in which chhanda it is stated to be and how that chhanda is voiced. Read it knowing this so that no trouble of any kind arises; and if you do not know how it should be pronounced, learn it. A mistake should not be made.
Swaying while reciting the Saptashati
The fourth mistake: an aparadh that breeds dosha
The speaker says the next issue is reciting while rocking to and fro. Once people start singing they also start swaying, and in that state, he says, "a devi" half enters of her own accord — they rock the whole way through from "Markandeya uvacha" onward. That too must not be done: there is to be no swaying during the path. All of this is an aparadh from which dosha arises.
After this, the speaker says, comes the matter of reciting while rocking back and forth. Once people begin to sing the path, they also begin to sway forward and backward — and in that, he remarks, half of the time "a devi" enters of her own accord. They will start "Markandeya uvacha" and begin rocking, swaying the whole way through. That too is not to be done, he says. There is to be no swaying at the time of the path. All of this is an aparadh; Dosha arises from it.
Talking or rising from the asana in the middle of a Saptashati path
The fifth mistake, and the achaman restart
The speaker says one must neither speak nor rise from the asana during the whole path. Stopping between shlokas of the Kavach to say "something important" and then resuming is wrong. If an emergency forces you to speak, either start that recitation again from the beginning or first complete the whole Kavach, then talk, then do achaman and kshama prarthana before continuing. If you cannot manage all thirteen chapters in one sitting — new, unpractised, legs aching — do samarpan of what you have read before getting up, and when you sit again do achaman and Bhagavati's dhyan afresh before going on; never simply leave it midway.
Next, the speaker says, is talking in the middle of the path. People will say they completed the shlokas — he recites "पंचमम स्कंद मातेति षष्ठं कात्यायनीति च सप्तमं कालरात्रिति महागौरीति चाष्टमम्" — then stopped there because something important came up, talked, and afterwards resumed with "नवमं सिद्धिदात्री च नवदुर्गा प्रकीर्तिता". That is wrong, he says; you cannot do that. If some emergency did arise and you did speak, then either read it again from the beginning, or, if you want the Dosha not to attach, first complete the full recitation of the Kavach. After that you may talk, and then do AchamanaThe ritual sipping of water for self-purification before worship, one of the opening Shatkarma/Pavitrikaran rites. and Kshama PrarthanaThe plea for pardon made at the close of a rite for whatever was done wrongly or left out. again before beginning the next portion of the path. One should not speak in the middle of the whole path, he says, and one should not rise from one's asana in the middle of the whole path either. If you lack the capacity — if it seems you will not manage all thirteen chapters in one sitting, your legs start hurting midway, you are new and unpractised and now have to get up — then before rising, do SamarpanaThe dedication of Japa and worship's accumulated merit to one's chosen deity — performed by taking water in the right hand at the conclusion of practice and reciting a formal dedication formula before offering the water. of as much of the path as you have done. When you sit down again to recite, do achaman, then again do Bhagavati's DhyanHolding the deity's form in the mind, the step that precedes japa in most vidhis. and so on, and only then take up the path from there. This is what should be done, he says; it should not be left midway like that.
Can the Durga Saptashati be recited without Navarna diksha?
The sixth mistake: skipped nyasa, and the Navarna as a mantra-raj
The speaker says no. Two things are wrong: skipping the nyasa because one does not know the vidhi, and reciting the Saptashati without the Navarna because one has no Navarna diksha. Without diksha the Navarna cannot be chanted — it is no ordinary mantra but one of the three mantra-rajas alongside Tripura Sundari's Shodashi and the Panchadashi, and these are never to be transgressed. He dismisses the "she is Jagdamba, she is Mother" objection: Mother is one thing, the mantra's effect another. The uninitiated do not know whether its bija is voiced in ga-kara or ma-kara, whether they belong to Kadi, Hadi or Sadi, that every mantra has its own yantra whose avaran of anga-shaktis is seated with peeth pujan, or that diksha follows the region's peeth — things told only in traditional diksha. So take Shakta diksha; there is nothing else to do.
How the uninitiated get adhikar for the Navarna and the Saptashati path
Upadesh and adesh from a yajnopavit-wearing Gayatri practitioner
The speaker says that if you have no deeper knowledge, at the very least take the upadesh of the Navarna from someone who wears the yajnopavit and does Gayatri and the like — a sadhak or a brahmin — take Shakta diksha, and take upadesh or adesh for the Saptashati. Request the brahmins who recite the Saptashati during Navratri, in Navratri itself, to give you adesh and initiate you in the Shakta line. Whoever wears the yajnopavit and does trikaal or two-time Gayatri, or recites the Saptashati daily, can give that adesh; it confers adhikar and no dosha attaches. This much should be done so that the path can be recited without dosha or problem.
What are the six angas and two samputs of a Durga Saptashati path?
The full vidhi, as the guru's tradition arranges it
The speaker says reciting the thirteen chapters straight off — even in Hindi with bhava — is wrong: the Saptashati is recited only with its six angas. Generally these are Kavach, then Argala, then Keelak, then Navarna japa, then Ratri Sukta and the like, then the Saptashati nyasa, and only then chapters one to thirteen, followed by Navarna japa again. The thirteen chapters are enclosed in a samput of Navarna, then a samput of the Suktas — Ratri Sukta and Devi Sukta — and after that a samput of the three Rahasyas such as Murti Rahasya. Six angas plus two samputs give the full effect and complete the vidhi; where traditions differ, follow your guru.
Now, the speaker says, come the people who recite without the six angas — they go straight through the thirteen chapters. Even if they are doing it in Hindi, and grant that Hindi carries bhava, still: the Saptashati is recited only with its six angas, not without them. Which are the six? At the beginning, he says, one should recite the Kavach, Argala Stotra and Keelak. He notes there are differences of opinion here — according to the Svatantra Tantra and according to other Shakta texts the arrangement differs — so do it as your guruji tells you. Generally: first the Kavach, then Argala, then Keelak, after that japa of the Navarna, japa of the Ratri Suktam and so on, then the Saptashati Nyasa and the rest, and only then should you recite from the first to the thirteenth chapter. Afterwards, japa of the Navarna mantra again. There is a Samput by the Navarna, and then a samput by the Suktas — that is, the thirteen chapters of the Saptashati are enclosed by the Ratri Sukta and the Devi Sukta — and after that comes the samput by the three Rahasyas (Rahasya Traya), Murti Rahasya and the others. That makes six angas and, along with them, two samputs. Only then, he says, is the full effect of the Saptashati obtained and the whole vidhi complete; so it should be done together with these.
Shatchandi without diksha or guru adesh
The seventh mistake: 100 paths need Navarna adhikar
The speaker says that undertaking a Shatchandi vidhan — 100 Saptashati paths — while having received no diksha of any kind is not proper and will cause trouble. For it one needs the adhikar of the Navarna and upadesh for the Saptashati path; without these, trouble follows. So if you are going to do a Shatchandi, never do it without diksha and without guru adesh.
Devi Sukta as the uninitiated's substitute for a Shatchandi
The chapter-13 precedent of Suratha and Samadhi
The speaker says that someone without adhikar who wants to act on bhava should recite in Hindi, or recite the four independent maha-stutis, and follow chapter 13 of the Saptashati: there the king Suratha and the vaishya Samadhi, reciting the Devi Sukta alone, did tapasya on a riverbank for three years with a clay image, offering flowers, incense, havan and bali of their own blood, until Chandika appeared in person. Bhagavati manifested from the Devi Sukta alone. So take refuge in the Devi Sukta — 100, 500 or 1000 recitations are no problem — whereas transgressing the whole Saptashati in a Shatchandi without adhikar brings trouble.
If you want to act by the primacy of bhava, the speaker says, do it in Hindi, and Bhagavati will be pleased with that bhava. Or recite the four independent maha-stutis — a video on which already exists. And follow the thirteenth chapter, where it is written that the two — Suratha and Samadhi — obtained Bhagavati's darshan by reciting the Tantrokta Devisuktam alone. He paraphrases the chapter: the king and the vaishya went off for TapasyaAusterity undertaken over time, the effort from which tapobal accumulates. and began sadhana on a riverbank for Jagdamba's darshan; absorbed in tapasya, they set up a clay image of the Devi and worshipped it with flowers, incense, havan and the rest; they reduced their food, then fasting and single-minded, contemplated the Devi; offering Bali of blood drawn from their own bodies, they continued in restraint for three years; and pleased by that intense tapasya, Chandika Devi, the upholder of the world, appeared before them and spoke. Bhagavati manifested, he stresses, from the Devi Sukta alone. So take refuge in the Devi Sukta, he says, if you have no adhikar and no knowledge of the subject. Recite the Devi Sukta 100 times, 500 times, 1000 times — no problem at all. But when, without adhikar, you transgress the whole Saptashati and do a Shatchandi, trouble and problems come to you. Keep that in mind.
Bali must not be skipped in a Shatchandi
Blood bali only through guru parampara; fruit and coconut for all
The speaker says that even those who have adhikar and guru adesh for a Shatchandi err by becoming squeamish and not offering bali. Bali does not mean an animal has to be offered: bali of one's own blood, as in chapter 13, is not for everyone and comes only through guru parampara with its own vidhan, but bali of fruit, vegetables, sugarcane, kushmanda and coconut anyone can offer. In a Shatchandi the quantity scales — 100, 108 or more coconuts, or kushmanda offered on nine peeths. Skip it altogether and trouble follows, beginning with suffering to one's children; so do the bali peeth and bali pujan and offer the bali without fail.
Next, the speaker says, comes this: people who are doing a Shatchandi vidhan, who do have the adhikar and have received guru adesh, still become squeamish (vimohit) and do not offer Bali. Understand, he says, that offering bali does not mean an animal must be sacrificed. In the chapter-13 story, bali of one's own blood was offered — but not everyone can offer bali of their own blood; that has its own vidhan, it can happen only through the Guru Parampara, and it has its method. At the very least, he says, bali of fruit and so on, of leafy vegetables, of sugarcane, of Kushmanda — anyone can offer these. Bali of coconut anyone can offer. But its quantity will increase: having done a Shatchandi, one offers 100 coconuts, more than 100, 108. If it is kushmanda bali, nine peeths are made and kushmanda is offered on them. But if you skip it altogether, trouble follows — and then suffering begins for one's children and so on. Therefore, he says, prepare the bali peeth, do the bali pujan, and offer its bali without fail. Keep this in mind: if you are doing a Shatchandi path, offer bali.
No sakalya ahuti for uvacha lines and astra mantras in a Saptashati havan
Ghrit only, or fruit on a paan leaf
The speaker says many people without diksha or adhikar perform havan with great force using all 700 mantras, mispronouncing as they go, unaware that the "uvacha" lines — such as "Markandeya uvacha" — and the astra mantras are never offered with sakalya. Such lines take ahuti only of ghrit, or of fruit placed on a paan leaf; there is a vidhan for this and ignoring it causes trouble. Wherever Bhagavati's weapons are named or she wields them, those astra mantras are never used for ahuti — for instance the line "शंख चक्र गदा श्रंग गृहीत प्रमायुधे…", where shankha, chakra, gada and shringa all make it an astra mantra.
After that, the speaker says, comes the vidhan of Havan. Many people who have no diksha and no adhikar are nonetheless doing havan with great vehemence with all 700 mantras — and their uchcharan is going wrong as well. They do not know that when you are doing havan, the Ahuti for an astra mantra, for an Uvacha"Said" — the narrative-verse marker (Rishi Uvacha, Devi Uvacha, etc.). line and the like, is not given with sakalya. Take "Markandeya uvacha": its ahuti will not be given with sakalya. Its ahuti is to be given either with GhritClarified butter, the standard medium of ahuti in havan and of the ritual lamp. only, or with fruit — fruit placed on a paan leaf. There is a vidhan for this, and when it is not followed, it causes trouble. Wherever the Astra Mantra of Bhagavati are named — wherever Bhagavati is using her weapon — ahuti is never to be given with those astra mantras. As an example he quotes the line "शंख चक्र गदा श्रंग गृहीत प्रमायुधे प्रसिद्ध वैष्णवी रूपे नारायण नमस्तुते": here shankha, chakra, gada and shringa have all become astra mantra.
Ahuti rules for the rakshoghna mantras, Kavach, Argala and Keelak in a Saptashati havan
Chapter-4 verses 24–27 take no sakalya; first mantras and shakti names only
The speaker says the rakshoghna mantras of chapter 4 — the four verses 24 to 27 beginning "शूलेन पाहि नो देवी पाहि खड़गिन चंबिके" that follow the 23-verse stuti — cannot be offered with sakalya: either recite them and leave them, or the chief officiant offers ghrit for them; sakalya ahuti with these too becomes a cause of ruin. Ahuti is not done with the full mantras of the Kavach and Argala. Argala's first mantra is offered, Keelak's first mantra is offered, and from the Kavach only the name-mantras of its shaktis — never the whole shlokas.
Besides these, the speaker says, there are the rakshoghna mantras — go to the fourth chapter of the Durga Saptashati. In the fourth chapter, after the StutiA passage of praise offered to the deity, shorter and less formal than a stotra. of 23 mantras, come the mantras beginning "शूलेन पाहि नो देवी पाहि खड़गिन चंबिके" — mantras 24, 25, 26 and 27. With these four mantras you cannot give ahuti of sakalya. Either recite them and leave them, or the chief person (pradhan vyakti) will give ahuti of ghrit and the like for them. But if you give their ahuti with sakalya, that too becomes a cause of destruction. Ahuti is not done with the complete mantras of the Kavach and of Argala Stotra and the rest. Ahuti will be done with the first mantra of Argala, and with the first mantra of Keelak. From the Kavach, ahuti is done only with the name-mantras of the shaktis in it; ahuti is not done with the whole shloka.
Why a wrong Saptashati havan stops marriages and mangalik work
Astra in Agni's mouth; paushtik mantras only; the two mantras safe for 108 ahutis
The speaker says people who do a Saptashati havan without knowing its rules become the cause of their own ruin: mangalik work in the home stops, marriages get stuck and are slow to happen afterwards, and the household's auspiciousness is destroyed. The reason he gives: when Agni is invoked in the fire — Agni who is Mother Svaha — and an astra mantra from the Kavach is put into her mouth as ahuti, her mouth is pierced; how then will she do you good? Without a guru's knowledge and adesh, offer only nourishing (paushtik) mantras; there is a further vidhi of which mantra goes to which Agni in the Kavach chapter and elsewhere. What may be offered freely 108 times is the first mantra of the Keelak, which he quotes as "विशुद्ध ज्ञान देहया त्रिवेदी दीप चक्षु से … श्रेय प्राप्ति निमित्ताय", and also Jayanti Mangala Kalika. He closes: do not do a Shatchandi with wrong havan, wrong path or wrong vidhi.
Knowing all these matters, the speaker says, do havan and the rest — otherwise people become the cause of their own destruction. Mangalik work in the home stops; marriages stop altogether, and however much you keep doing afterwards there is great trouble and a marriage does not happen quickly. The mangalikta is destroyed in this — because, he asks, what are you doing with the astra mantra? When you invoke Agni, when Agni comes into the fire — Agni who is Mother Svaha — what are you giving as ahuti into her mouth? If you put the astra mantra of the Kavach as a weapon into her mouth, her mouth will be pierced; and when you are putting astra mantras in her mouth and piercing it, will she then do your kalyan? So, he says, ordinarily — without a guru's knowledge, without taking adesh from him — ahuti should be given only of paushtik (nourishing) mantras. And beyond that there is a vidhi of which mantra is to be given to which Agni, in the Kavach chapter and so on; it must not be done at random. What may be offered independently, 108 times, is the first mantra of the Keelak, which he recites as "विशुद्ध ज्ञान देहया त्रिवेदी दीप चक्षु से" — the whole mantra, through "श्रेय प्राप्ति निमित्ताय" — and one may also give ahuti of Jayanti Mangala Kali. Know these vidhans and then act, he says; do not do a Shatchandi with wrong havan, wrong path, or wrong vidhi-vidhan.
What should an uninitiated person recite instead of the full Saptashati?
Ratri Suktam, Devi Suktam, the chapter-4 stuti and the 35 shlokas of chapter 11
Summing up the seven points, the speaker says that if you are adikshit and cannot pronounce Sanskrit, recite the Ratri Suktam, the Devi Suktam, the Indradi stuti of chapter 4, and the 35 stuti shlokas of chapter 11 — from these Bhagavati's full grace and blessing will be obtained. Do them in Sanskrit, do them chanted. But done without adhikar, he says, the full path is our loss and yours, and your loss is Sanatan's loss; so get initiated by a qualified person this Navratri, learn the vidhi and then recite.
These, the speaker says, were the seven main points he wanted to place before everyone, so that no aparadh of any kind is committed and the Saptashati path can be done correctly. If you are adikshit — without diksha — and do not know how to pronounce Sanskrit, then recite the Ratri Suktam, the Tantrokta Devisuktam, and the Indradi stuti of the fourth chapter; recite all of these. Recite the 35 stuti shlokas of the eleventh chapter. From these, he says, Bhagavati's complete grace and blessing will be obtained. Do them in Sanskrit, do them chanted. But if you proceed without authorisation, he says, it is our loss and yours — and your loss is Sanatan's loss. He hopes listeners will understand the matter, get initiated by a qualified person this Navratri, learn the vidhi and then recite, so that their welfare is assured.
These are notes of our learnings from a public external source (youtube video by author Grihastha Tantra). OccultGuide does not verify or originate the knowledge or the practices itself.